FansubWiki - User contributions [en]

Qop123's Japanese Subtitles Project

2011-05-16T10:36:44Z

Qop123:

== Notice ==

The Qop123's Japanese Subtitles Project has been shut down and gone. This page is the reminiscence of the past activity.

== Japanese Subtitles Project ==

This page was created to supply information about the status of the Japanese subtitles project at D-Addicts.


== How to Handle Japanese Subtitles ==

These Japanese subs don't work with the raw videos at DA as they are, they need to be edited, and also uploaded to the subtitle section of DA[http://www.d-addicts.com/forum/viewforum_13.htm], so that people can download and utilize them.

And here is a general instruction.

==== General Instruction ====

This Japanese subtitles work is divided into 6 parts, Margin Cut, CM Cut, Timing Adjustment, Discrepancy Check, Gaiji Check, Publishing.

==== Margin Cut ====

These Japanese subs have about 30 seconds of margin at the beginning, which needs to be cut out, that is, all the lines need to be made earlier for about 30 seconds. This margin is controlled to be about 30 seconds with a clock adjustment program as nearly as possible. But this margin wouldn't become exactly 30 seconds, and so we need to make a human adjustment later.

==== CM Cut ====

As these Japanese subs are extracted from the original broadcast data that has interventions of CMs during the drama, if they are played as they are, they wouldn't match with the raw videos uploaded at DA, as the raw videos at DA are edited to be without interventions of CMs. And so, in a nutshell, these Japanese subs also need to be edited to be without the times of the interventions of CMs.

In Japan, CMs are generally made on 15 seconds units, and so one intervention of CMs becomes multiples of 15. 90 seconds and 120 seconds ones are most frequent, but there are other lengths as well. The ones I have encountered are, about in the order of frequency, 90, 120, 135, 60, 150, 30 seconds ones.

Everytime an intervention of CMs happens, make all the lines after that intervention earlier for the amount of that intervention. And by repeating this process, we can get the synched subs. In the subtitle editing program called Aegisub, there is a good command for this purpose, "Shift Times with Selection Onward", which I have used to this day. Other subtitle editing programs also have similar functions.

As there is a hiatus in the timings of the lines when there is an intervention of CMs, in most cases, just by looking at the script, you can know the length of the intervention.

NHK dramas don't have CMs during the drama, as it is a national public broadcast.

==== Timing Adjustment ====

Here we need to make minor timing adjustments. This part is where our skills are tried. A small timing shift makes a great difference at viewing pleasure.

In my experience of synching over a hundred of these Japanese subs, they need to be synched at least with +-0.25 seconds of accuracy for a better result, though I have made +-0.1 seconds adjustments if necessary.

Generally speaking, this synching has tolerance for the - direction, that is, we can set the timings too early than too late.

What is annoying is subs appearing too late or subs disappearing too early. (Subs appearing too early or subs disappearing too late are not so annoying.)

In order to to be protected against subs appearing too late, my recommendation is to shift times slightly overly to the - direction (generally about 0.25-0.50 seconds, but if necessary about 1-2 seconds). That way, even if the timings for some lines are a little late, subs won't appear too late, which is comfortable in many cases. In order to be protected against subs disappearing too early, my recommendation is to do nothing particular, for with these Japanese subs, in most cases, the lines are not timed as to disappear as soon as the pronunciation ends, but remain longer on the display, and that is the reason why we can set the timings a little too earlier without causing any problem.

But again, way too earlier subs are annoying too, and so this is just a principle and guideline, and not a golden rule. Human eyes are the most sure way to check the subs.

==== Discrepancy Check ====

Sometimes there are sponsor credits. In most cases, encoders leave these sponsor credits untouched, and so it doesn't cause any problem. But when encoders decide to cut out these sponsor credits, we need to adjust that amount as well.

And there can be other discrepancies depending on the encoder's job.

==== Gaiji Check ====

Gaiji means "Outside Character", and it means those characters that couldn't be processed by "Caption2Ass_mod1".

Gaijis are marked as something like [外字:FCDB30A244FB6AAD5255EE2D32FDF7FC], and when we find these Gaijis, we need to manually replace them (or semi-manually replace them with search and replace command).

These Gaijis don't happen so frequently, and the chances are about 1 in 50 files, or 1 in 100 files.

==== Publishing ====

I think it is better to synch these Japanese subs at least to the 704x396 Xvid version, as they seem popular and easy to handle. But if you want to synch to the 1280x720 x264 version, that would also be fine and no problem.

I also think it is better to put ".jp" at the end of the naming like "Real Clothes ep01 (1280x720 XviD).jp.srt", because people who are downloading these Japanese subs might download English subs as well, and we don't want to be invasive.

For consistency, please post the following in your op:

"The raw source Japanese subs can be found here
http://jpsubbers.positivehosting.com/Japanese-Subtitles/

The tutorial of synching the raw source Japanese subs to encoded videos can be found here:
http://fansub.d-addicts.com/Qop123's_Japanese_Subtitles_Project"

==== Workflow ====

1, Shift all the lines for 30 seconds.

2, Look for a hiatus of the timings of the lines, such as

*Line 152 0:08:39.64 - 0:08:42.64
*Line 153 0:08:42.64 - 0:08:52.64
*Line 154 0:11:02.68 - 0:11:04.68
*Line 155 0:11:04.68 - 0:11:06.69

and this one has a hiatus of a little over 120 seconds, and so I take this intervention of CMs to be 120 seconds, and so I shift earlier all the lines from the line 154 onward for 120 seconds.

3, Repeat this process as necessary. Generally, we need to shift times for 3 or 4 times per an episode.

4, Make minor timing adjustments to make the viewing more pleasurable.

5, Check if there is no discrepancy.

6, Check if there is no Gaiji.

7, Upload the finished sub to DA.

Done!

== Japanese Subtitles Index ==

[http://www.d-addicts.com/forum/subtitles.php#Japanese Japanese Subtitles Index at DA]

Qop123's Japanese Subtitles Project

2011-02-23T13:09:31Z

Qop123:

== Notice ==

The Qop123's Japanese Subtitles Project has been shut down and gone. This page is the reminiscence of the past activity.

== Japanese Subtitles Project ==

This page was created to supply information about the status of the Japanese subtitles project at D-Addicts.

== Handlers Coordination ==

@ Please edit this section when one wants to volunteer to handle Japanese subtitles for some dramas. @

This space is for deciding who will be handling which dramas. The principle is that when one is willing to handle a drama, he/she will write the drama title and the user ID at DA, and the handler position for that drama has been taken. When someone else wants to replace the current handler position for one or other reasons, like sharing the workload or being confident to get the work better done, he/she will send a PM to the one who has the current handler position, and negotiate.

=== Japanese Subtitles for 2011 Winter Season ===

Dr Irabu Ichiro by subie06

Gou ~Himetachi no Sengoku~ by Liubeibei

Jidan Koushounin Gota Keshi by arakira

Akutou by Heiwa Fansubs

Control by furransu

Gaikoukan Kuroda Kousaku by furransu

Kokuhatsu by furransu

LADY～Saigo no Hanzai Profile～ by furransu

Saijou no Meii by furransu

School!! by furransu

Utsukushii Rinjin by furransu

Misaki Number One!! by ggenglish

Deka Wanko by ggenglish

Fuyu no Sakura by ggenglish

Taisetsu na Koto wa Subete Kimi ga Oshiete Kureta by ggenglish

Fake Kyoto Bijutsu Jiken Emaki by mikilove13

Onmitsu Happyaku Yacho by mikilove13

Honboshi ~ Shinri Tokuso Jikenbo by yakyu_girl

== How to Handle Japanese Subtitles ==

These Japanese subs don't work with the raw videos at DA as they are, they need to be edited, and also uploaded to the subtitle section of DA[http://www.d-addicts.com/forum/viewforum_13.htm], so that people can download and utilize them.

And here is a general instruction.

==== General Instruction ====

This Japanese subtitles work is divided into 6 parts, Margin Cut, CM Cut, Timing Adjustment, Discrepancy Check, Gaiji Check, Publishing.

==== Margin Cut ====

These Japanese subs have about 30 seconds of margin at the beginning, which needs to be cut out, that is, all the lines need to be made earlier for about 30 seconds. This margin is controlled to be about 30 seconds with a clock adjustment program as nearly as possible. But this margin wouldn't become exactly 30 seconds, and so we need to make a human adjustment later.

==== CM Cut ====

As these Japanese subs are extracted from the original broadcast data that has interventions of CMs during the drama, if they are played as they are, they wouldn't match with the raw videos uploaded at DA, as the raw videos at DA are edited to be without interventions of CMs. And so, in a nutshell, these Japanese subs also need to be edited to be without the times of the interventions of CMs.

In Japan, CMs are generally made on 15 seconds units, and so one intervention of CMs becomes multiples of 15. 90 seconds and 120 seconds ones are most frequent, but there are other lengths as well. The ones I have encountered are, about in the order of frequency, 90, 120, 135, 60, 150, 30 seconds ones.

Everytime an intervention of CMs happens, make all the lines after that intervention earlier for the amount of that intervention. And by repeating this process, we can get the synched subs. In the subtitle editing program called Aegisub, there is a good command for this purpose, "Shift Times with Selection Onward", which I have used to this day. Other subtitle editing programs also have similar functions.

As there is a hiatus in the timings of the lines when there is an intervention of CMs, in most cases, just by looking at the script, you can know the length of the intervention.

NHK dramas don't have CMs during the drama, as it is a national public broadcast.

==== Timing Adjustment ====

Here we need to make minor timing adjustments. This part is where our skills are tried. A small timing shift makes a great difference at viewing pleasure.

In my experience of synching over a hundred of these Japanese subs, they need to be synched at least with +-0.25 seconds of accuracy for a better result, though I have made +-0.1 seconds adjustments if necessary.

Generally speaking, this synching has tolerance for the - direction, that is, we can set the timings too early than too late.

What is annoying is subs appearing too late or subs disappearing too early. (Subs appearing too early or subs disappearing too late are not so annoying.)

In order to to be protected against subs appearing too late, my recommendation is to shift times slightly overly to the - direction (generally about 0.25-0.50 seconds, but if necessary about 1-2 seconds). That way, even if the timings for some lines are a little late, subs won't appear too late, which is comfortable in many cases. In order to be protected against subs disappearing too early, my recommendation is to do nothing particular, for with these Japanese subs, in most cases, the lines are not timed as to disappear as soon as the pronunciation ends, but remain longer on the display, and that is the reason why we can set the timings a little too earlier without causing any problem.

But again, way too earlier subs are annoying too, and so this is just a principle and guideline, and not a golden rule. Human eyes are the most sure way to check the subs.

==== Discrepancy Check ====

Sometimes there are sponsor credits. In most cases, encoders leave these sponsor credits untouched, and so it doesn't cause any problem. But when encoders decide to cut out these sponsor credits, we need to adjust that amount as well.

And there can be other discrepancies depending on the encoder's job.

==== Gaiji Check ====

Gaiji means "Outside Character", and it means those characters that couldn't be processed by "Caption2Ass_mod1".

Gaijis are marked as something like [外字:FCDB30A244FB6AAD5255EE2D32FDF7FC], and when we find these Gaijis, we need to manually replace them (or semi-manually replace them with search and replace command).

These Gaijis don't happen so frequently, and the chances are about 1 in 50 files, or 1 in 100 files.

==== Publishing ====

I think it is better to synch these Japanese subs at least to the 704x396 Xvid version, as they seem popular and easy to handle. But if you want to synch to the 1280x720 x264 version, that would also be fine and no problem.

I also think it is better to put ".jp" at the end of the naming like "Real Clothes ep01 (1280x720 XviD).jp.srt", because people who are downloading these Japanese subs might download English subs as well, and we don't want to be invasive.

==== Workflow ====

1, Shift all the lines for 30 seconds.

2, Look for a hiatus of the timings of the lines, such as

*Line 152 0:08:39.64 - 0:08:42.64
*Line 153 0:08:42.64 - 0:08:52.64
*Line 154 0:11:02.68 - 0:11:04.68
*Line 155 0:11:04.68 - 0:11:06.69

and this one has a hiatus of a little over 120 seconds, and so I take this intervention of CMs to be 120 seconds, and so I shift earlier all the lines from the line 154 onward for 120 seconds.

3, Repeat this process as necessary. Generally, we need to shift times for 3 or 4 times per an episode.

4, Make minor timing adjustments to make the viewing more pleasurable.

5, Check if there is no discrepancy.

6, Check if there is no Gaiji.

7, Upload the finished sub to DA.

Done!

== Japanese Subtitles Index ==

[http://www.d-addicts.com/forum/subtitles.php#Japanese Japanese Subtitles Index at DA]

Qop123's Japanese Subtitles Project

2010-11-02T10:58:12Z

Qop123:

== Japanese Subtitles Project==

This page was created to supply information about the status of the Japanese subtitles project coordinated by qop123 at D-Addicts.

== Handlers Coordination ==

@ Please edit this section when one wants to volunteer to handle Japanese subtitles for some dramas. @

This space is for deciding who will be handling which dramas. The principle is that when one is willing to handle a drama, he/she will write the drama title and the user ID at DA, and the handler position for that drama has been taken. When someone else wants to replace the current handler position for one or other reasons, like sharing the workload or being confident to get the work better done, he/she will send a PM to the one who has the current handler position, and negotiate.

=== Japanese Subtitles for 2010 Fall Season ===

Guilty by furransu

Himitsu by furransu

Juui Dolittle by furransu

Kenji Ojinima Heihachirou by furransu

Nasake No Onna by furransu

Odagiri Kyouko No Uso by furransu

Ougon No Buta by furransu

SPEC by furransu

Q10 by sarujin

Iryuu 3 by sarujin

Freeter by sarujin

Nagareboshi by ggenglish

Perfect Report by ggenglish

Second Virgin by ggenglish

Face Maker by jif47

Ryoumaden by pubble

== How to Handle Japanese Subtitles ==

These Japanese subs are extracted from the original broadcast data with a program called "Caption2Ass_mod1"[http://www.megaupload.com/?d=WU6UMFG9].

But as these Japanese subs don't work with the raw videos at DA as they are, they need to be edited, and also uploaded to the subtitle section of DA[http://www.d-addicts.com/forum/viewforum_13.htm], so that people can download and utilize them.

And here is a general instruction.

==== General Instruction ====

This Japanese subtitles work is divided into 6 parts, Margin Cut, CM Cut, Timing Adjustment, Discrepancy Check, Gaiji Check, Publishing.

==== Margin Cut ====

These Japanese subs have about 30 seconds of margin at the beginning, which needs to be cut out, that is, all the lines need to be made earlier for about 30 seconds. This margin is controlled to be about 30 seconds with a clock adjustment program as nearly as possible. But this margin wouldn't become exactly 30 seconds, and so we need to make a human adjustment later.

==== CM Cut ====

As these Japanese subs are extracted from the original broadcast data that has interventions of CMs during the drama, if they are played as they are, they wouldn't match with the raw videos uploaded at DA, as the raw videos at DA are edited to be without interventions of CMs. And so, in a nutshell, these Japanese subs also need to be edited to be without the times of the interventions of CMs.

In Japan, CMs are generally made on 15 seconds units, and so one intervention of CMs becomes multiples of 15. 90 seconds and 120 seconds ones are most frequent, but there are other lengths as well. The ones I have encountered are, about in the order of frequency, 90, 120, 135, 60, 150, 30 seconds ones.

Everytime an intervention of CMs happens, make all the lines after that intervention earlier for the amount of that intervention. And by repeating this process, we can get the synched subs. In the subtitle editing program called Aegisub, there is a good command for this purpose, "Shift Times with Selection Onward", which I have used to this day. Other subtitle editing programs also have similar functions.

As there is a hiatus in the timings of the lines when there is an intervention of CMs, in most cases, just by looking at the script, you can know the length of the intervention.

NHK dramas don't have CMs during the drama, as it is a national public broadcast.

==== Timing Adjustment ====

Here we need to make minor timing adjustments. This part is where our skills are tried. A small timing shift makes a great difference at viewing pleasure.

In my experience of synching over a hundred of these Japanese subs, they need to be synched at least with +-0.25 seconds of accuracy for a better result, though I have made +-0.1 seconds adjustments if necessary.

Generally speaking, this synching has tolerance for the - direction, that is, we can set the timings too early than too late.

What is annoying is subs appearing too late or subs disappearing too early. (Subs appearing too early or subs disappearing too late are not so annoying.)

In order to to be protected against subs appearing too late, my recommendation is to shift times slightly overly to the - direction (generally about 0.25-0.50 seconds, but if necessary about 1-2 seconds). That way, even if the timings for some lines are a little late, subs won't appear too late, which is comfortable in many cases. In order to be protected against subs disappearing too early, my recommendation is to do nothing particular, for with these Japanese subs, in most cases, the lines are not timed as to disappear as soon as the pronunciation ends, but remain longer on the display, and that is the reason why we can set the timings a little too earlier without causing any problem.

But again, way too earlier subs are annoying too, and so this is just a principle and guideline, and not a golden rule. Human eyes are the most sure way to check the subs.

==== Discrepancy Check ====

Sometimes there are sponsor credits. In most cases, encoders leave these sponsor credits untouched, and so it doesn't cause any problem. But when encoders decide to cut out these sponsor credits, we need to adjust that amount as well.

And there can be other discrepancies depending on the encoder's job.

==== Gaiji Check ====

Gaiji means "Outside Character", and it means those characters that couldn't be processed by "Caption2Ass_mod1".

Gaijis are marked as something like [外字:FCDB30A244FB6AAD5255EE2D32FDF7FC], and when we find these Gaijis, we need to manually replace them (or semi-manually replace them with search and replace command).

These Gaijis don't happen so frequently, and the chances are about 1 in 50 files, or 1 in 100 files.

==== Publishing ====

I think it is better to synch these Japanese subs at least to the 704x396 Xvid version, as they seem popular and easy to handle. But if you want to synch to the 1280x720 x264 version, that would also be fine and no problem.

I also think it is better to put ".jp" at the end of the naming like "Real Clothes ep01 (1280x720 XviD).jp.srt", because people who are downloading these Japanese subs might download English subs as well, and we don't want to be invasive.

==== Workflow ====

1, Shift all the lines for 30 seconds.

2, Look for a hiatus of the timings of the lines, such as

*Line 152 0:08:39.64 - 0:08:42.64
*Line 153 0:08:42.64 - 0:08:52.64
*Line 154 0:11:02.68 - 0:11:04.68
*Line 155 0:11:04.68 - 0:11:06.69

and this one has a hiatus of a little over 120 seconds, and so I take this intervention of CMs to be 120 seconds, and so I shift earlier all the lines from the line 154 onward for 120 seconds.

3, Repeat this process as necessary. Generally, we need to shift times for 3 or 4 times per an episode.

4, Make minor timing adjustments to make the viewing more pleasurable.

5, Check if there is no discrepancy.

6, Check if there is no Gaiji.

7, Upload the finished sub to DA.

Done!

== Japanese Subtitles Index ==

[http://www.d-addicts.com/forum/subtitles.php#Japanese Japanese Subtitles Index at DA]

Qop123's Japanese Subtitles Project

2010-11-01T02:13:26Z

Qop123:

== Japanese Subtitles Project==

This page was created to supply information about the status of the Japanese subtitles project coordinated by qop123 at D-Addicts.

== Handlers Coordination ==

@ Please edit this section when one wants to volunteer to handle Japanese subtitles for some dramas. @

This space is for deciding who will be handling which dramas. The principle is that when one is willing to handle a drama, he/she will write the drama title and the user ID at DA, and the handler position for that drama has been taken. When someone else wants to replace the current handler position for one or other reasons, like sharing the workload or being confident to get the work better done, he/she will send a PM to the one who has the current handler position, and negotiate.

=== Japanese Subtitles for 2010 Fall Season ===

Guilty by furransu

Himitsu by furransu

Juui Dolittle by furransu

Kenji Ojinima Heihachirou by furransu

Nasake No Onna by furransu

Odagiri Kyouko No Uso by furransu

Ougon No Buta by furransu

SPEC by furransu

Q10 by sarujin

Iryuu 3 by sarujin

Freeter by sarujin

Nagareboshi by ggenglish

Perfect Report by ggenglish

Second Virgin by ggenglish

Face Maker by jif47

Ryoumaden by pubble

== How to Handle Japanese Subtitles ==

These Japanese subs are extracted from the original broadcast data with a program called "Caption2Ass_mod1"[http://www.megaupload.com/?d=WU6UMFG9].

But as these Japanese subs don't work with the raw videos at DA as they are, they need to be edited, and also uploaded to the subtitle section of DA[http://www.d-addicts.com/forum/viewforum_13.htm], so that people can download and utilize them.

And here is a general instruction.

==== General Instruction ====

This Japanese subtitles work is divided into 6 parts, Margin Cut, CM Cut, Timing Adjustment, Discrepancy Check, Gaiji Check, Publishing.

==== Margin Cut ====

These Japanese subs have about 30 seconds of margin at the beginning, which needs to be cut out, that is, all the lines need to be made earlier for about 30 seconds. This margin is controlled to be about 30 seconds with a clock adjustment program as nearly as possible. But this margin wouldn't become exactly 30 seconds, and so we need to make a human adjustment later.

==== CM Cut ====

As these Japanese subs are extracted from the original broadcast data that has interventions of CMs during the drama, if they are played as they are, they wouldn't match with the raw videos uploaded at DA, as the raw videos at DA are edited to be without interventions of CMs. And so, in a nutshell, these Japanese subs also need to be edited to be without the times of the interventions of CMs.

In Japan, CMs are generally made on 15 seconds units, and so one intervention of CMs becomes multiples of 15. 90 seconds and 120 seconds ones are most frequent, but there are other lengths as well. The ones I have encountered are, about in the order of frequency, 90, 120, 135, 60, 150, 30 seconds ones.

Everytime an intervention of CMs happens, make all the lines after that intervention earlier for the amount of that intervention. And by repeating this process, we can get the synched subs. In the subtitle editing program called Aegisub, there is a good command for this purpose, "Shift Times with Selection Onward", which I have used to this day. Other subtitle editing programs also have similar functions.

As there is a hiatus in the timings of the lines when there is an intervention of CMs, in most cases, just by looking at the script, you can know the length of the intervention.

NHK dramas don't have CMs during the drama, as it is a national public broadcast.

==== Timing Adjustment ====

Here we need to make minor timing adjustments. This part is where our skills are tried. A small timing shift makes a great difference at viewing pleasure.

In my experience of synching over a hundred of these Japanese subs, they need to be synched at least with +-0.25 seconds of accuracy for a better result, though I have made +-0.1 seconds adjustments if necessary.

Generally speaking, this synching has tolerance for the - direction, that is, we can set the timings too early than too late.

What is annoying is subs appearing too late or subs disappearing too early. (Subs appearing too early or subs disappearing too late are not so annoying.)

In order to to be protected against subs appearing too late, my recommendation is to shift times slightly overly to the - direction (generally about 0.25-0.50 seconds, but if necessary about 1-2 seconds). That way, even if the timings for some lines are a little late, subs won't appear too late, which is comfortable in many cases. In order to be protected against subs disappearing too early, my recommendation is to do nothing particular, for with these Japanese subs, in most cases, the lines are not timed as to disappear as soon as the pronunciation ends, but remain longer on the display, and that is the reason why we can set the timings a little too earlier without causing any problem.

But again, way too earlier subs are annoying too, and so this is just a principle and guideline, and not a golden rule. Human eyes are the most sure way to check the subs.

==== Discrepancy Check ====

Sometimes there are sponsor credits. In most cases, encoders leave these sponsor credits untouched, and so it doesn't cause any problem. But when encoders decide to cut out these sponsor credits, we need to adjust that amount as well.

And there can be other discrepancies depending on the encoder's job.

==== Gaiji Check ====

Gaiji means "Outside Character", and it means those characters that couldn't be processed by "Caption2Ass_mod1".

Gaijis are marked as something like [外字:FCDB30A244FB6AAD5255EE2D32FDF7FC], and when we find these Gaijis, we need to manually replace them (or semi-manually replace them with search and replace command).

These Gaijis don't happen so frequently, and the chances are about 1 in 50 files, or 1 in 100 files.

==== Publishing ====

I think it is better to synch these Japanese subs at least to 704x396 Xvid version, as they seem popular and easy to handle.

I also think it is better to put ".jp" at the end of the naming like "Real Clothes ep01 (1280x720 XviD).jp.srt", because people who are downloading these Japanese subs might download English subs as well, and we don't want to be invasive.

==== Workflow ====

1, Shift all the lines for 30 seconds.

2, Look for a hiatus of the timings of the lines, such as

*Line 152 0:08:39.64 - 0:08:42.64
*Line 153 0:08:42.64 - 0:08:52.64
*Line 154 0:11:02.68 - 0:11:04.68
*Line 155 0:11:04.68 - 0:11:06.69

and this one has a hiatus of a little over 120 seconds, and so I take this intervention of CMs to be 120 seconds, and so I shift earlier all the lines from the line 154 onward for 120 seconds.

3, Repeat this process as necessary. Generally, we need to shift times for 3 or 4 times per an episode.

4, Make minor timing adjustments to make the viewing more pleasurable.

5, Check if there is no discrepancy.

6, Check if there is no Gaiji.

7, Upload the finished sub to DA.

Done!

== Japanese Subtitles Index ==

[http://www.d-addicts.com/forum/subtitles.php#Japanese Japanese Subtitles Index at DA]

Qop123's Japanese Subtitles Project

2010-10-29T10:25:06Z

Qop123:

== Japanese Subtitles Project==

This page was created to supply information about the status of the Japanese subtitles project coordinated by qop123 at D-Addicts.

== Handlers Coordination ==

@ Please edit this section when one wants to volunteer to handle Japanese subtitles for some dramas. @

This space is for deciding who will be handling which dramas. The principle is that when one is willing to handle a drama, he/she will write the drama title and the user ID at DA, and the handler position for that drama has been taken. When someone else wants to replace the current handler position for one or other reasons like sharing the workload or being confident to get the work better done, he/she will send a PM to the one who has the current handler position, and negotiate.

=== Japanese Subtitles for 2010 Fall Season ===

Guilty by furransu

Himitsu by furransu

Juui Dolittle by furransu

Kenji Ojinima Heihachirou by furransu

Nasake No Onna by furransu

Odagiri Kyouko No Uso by furransu

Ougon No Buta by furransu

SPEC by furransu

Q10 by sarujin

Iryuu 3 by sarujin

Freeter by sarujin

Nagareboshi by ggenglish

Perfect Report by ggenglish

Second Virgin by ggenglish

Face Maker by jif47

Ryoumaden by pubble

== How to Handle Japanese Subtitles ==

These Japanese subs are extracted from the original broadcast data with a program called "Caption2Ass_mod1"[http://www.megaupload.com/?d=WU6UMFG9].

But as these Japanese subs don't work with the raw videos at DA as they are, they need to be edited, and also uploaded to the subtitle section of DA[http://www.d-addicts.com/forum/viewforum_13.htm], so that people can download and utilize them.

And here is a general instruction.

==== General Instruction ====

This Japanese subtitles work is divided into 6 parts, Margin Cut, CM Cut, Timing Adjustment, Discrepancy Check, Gaiji Check, Publishing.

==== Margin Cut ====

These Japanese subs have about 30 seconds of margin at the beginning, which needs to be cut out, that is, all the lines need to be made earlier for about 30 seconds. This margin is controlled to be about 30 seconds with a clock adjustment program as nearly as possible. But this margin wouldn't become exactly 30 seconds, and so we need to make a human adjustment later.

==== CM Cut ====

As these Japanese subs are extracted from the original broadcast data that has interventions of CMs during the drama, if they are played as they are, they wouldn't match with the raw videos uploaded at DA, as the raw videos at DA are edited to be without interventions of CMs. And so, in a nutshell, these Japanese subs also need to be edited to be without the times of the interventions of CMs.

In Japan, CMs are generally made on 15 seconds units, and so one intervention of CMs becomes multiples of 15. 90 seconds and 120 seconds ones are most frequent, but there are other lengths as well. The ones I have encountered are, about in the order of frequency, 90, 120, 135, 60, 150, 30 seconds ones.

Everytime an intervention of CMs happens, make all the lines after that intervention earlier for the amount of that intervention. And by repeating this process, we can get the synched subs. In the subtitle editing program called Aegisub, there is a good command for this purpose, "Shift Times with Selection Onward", which I have used to this day. Other subtitle editing programs also have similar functions.

As there is a hiatus in the timings of the lines when there is an intervention of CMs, in most cases, just by looking at the script, you can know the length of the intervention.

NHK dramas don't have CMs during the drama, as it is a national public broadcast.

==== Timing Adjustment ====

Here we need to make minor timing adjustments. This part is where our skills are tried. A small timing shift makes a great difference at viewing pleasure.

In my experience of synching over a hundred of these Japanese subs, they need to be synched at least with +-0.25 seconds of accuracy for a better result, though I have made +-0.1 seconds adjustments if necessary.

Generally speaking, this synching has tolerance for the - direction, that is, we can set the timings too early than too late.

What is annoying is subs appearing too late or subs disappearing too early. (Subs appearing too early or subs disappearing too late are not so annoying.)

In order to to be protected against subs appearing too late, my recommendation is to shift times slightly overly to the - direction (generally about 0.25-0.50 seconds, but if necessary about 1-2 seconds). That way, even if the timings for some lines are a little late, subs won't appear too late, which is comfortable in many cases. In order to be protected against subs disappearing too early, my recommendation is to do nothing particular, for with these Japanese subs, in most cases, the lines are not timed as to disappear as soon as the pronunciation ends, but remain longer on the display, and that is the reason why we can set the timings a little too earlier without causing any problem.

But again, way too earlier subs are annoying too, and so this is just a principle and guideline, and not a golden rule. Human eyes are the most sure way to check the subs.

==== Discrepancy Check ====

Sometimes there are sponsor credits. In most cases, encoders leave these sponsor credits untouched, and so it doesn't cause any problem. But when encoders decide to cut out these sponsor credits, we need to adjust that amount as well.

And there can be other discrepancies depending on the encoder's job.

==== Gaiji Check ====

Gaiji means "Outside Character", and it means those characters that couldn't be processed by "Caption2Ass_mod1".

Gaijis are marked as something like [外字:FCDB30A244FB6AAD5255EE2D32FDF7FC], and when we find these Gaijis, we need to manually replace them (or semi-manually replace them with search and replace command).

These Gaijis don't happen so frequently, and the chances are about 1 in 50 files, or 1 in 100 files.

==== Publishing ====

I think it is better to synch these Japanese subs at least to 704x396 Xvid version, as they seem popular and easy to handle.

I also think it is better to put ".jp" at the end of the naming like "Real Clothes ep01 (1280x720 XviD).jp.srt", because people who are downloading these Japanese subs might download English subs as well, and we don't want to be invasive.

==== Workflow ====

1, Shift all the lines for 30 seconds.

2, Look for a hiatus of the timings of the lines, such as

*Line 152 0:08:39.64 - 0:08:42.64
*Line 153 0:08:42.64 - 0:08:52.64
*Line 154 0:11:02.68 - 0:11:04.68
*Line 155 0:11:04.68 - 0:11:06.69

and this one has a hiatus of a little over 120 seconds, and so I take this intervention of CMs to be 120 seconds, and so I shift earlier all the lines from the line 154 onward for 120 seconds.

3, Repeat this process as necessary. Generally, we need to shift times for 3 or 4 times per an episode.

4, Make minor timing adjustments to make the viewing more pleasurable.

5, Check if there is no discrepancy.

6, Check if there is no Gaiji.

7, Upload the finished sub to DA.

Done!

== Japanese Subtitles Index ==

[http://www.d-addicts.com/forum/subtitles.php#Japanese Japanese Subtitles Index at DA]

Qop123's Japanese Subtitles Project

2010-10-20T06:27:35Z

Qop123: Fall Season

== Japanese Subtitles Project==

This page was created to supply information about the status of the Japanese subtitles project coordinated by qop123 at D-Addicts.

== Japanese Subtitles for 2010 Fall Season ==

Now all the dramas are nicely handled.

== How to Handle Japanese Subtitles ==

These Japanese subs are extracted from the original broadcast data with a program called "Caption2Ass_mod1"[http://www.megaupload.com/?d=WU6UMFG9].

But as these Japanese subs don't work with the raw videos at DA as they are, they need to be edited, and also uploaded to the subtitle section of DA[http://www.d-addicts.com/forum/viewforum_13.htm], so that people can download and utilize them.

And here is a general instruction.

==== General Instruction ====

This Japanese subtitles work is divided into 5 parts, Margin Cut, CM Cut, Timing Adjustment, Discrepancy Check, Publishing.

==== Margin Cut ====

These Japanese subs have about 30 seconds of margin at the beginning, which needs to be cut out, that is, all the lines need to be made earlier for about 30 seconds. This margin is controlled to be about 30 seconds with a clock adjustment program as nearly as possible. But this margin wouldn't become exactly 30 seconds, and so we need to make a human adjustment later.

==== CM Cut ====

As these Japanese subs are extracted from the original broadcast data that has interventions of CMs during the drama, if they are played as they are, they wouldn't match with the raw videos uploaded at DA, as the raw videos at DA are edited to be without interventions of CMs. And so, in a nutshell, these Japanese subs also need to be edited to be without the times of the interventions of CMs.

In Japan, CMs are generally made on 15 seconds units, and so one intervention of CMs becomes multiples of 15. 90 seconds and 120 seconds ones are most frequent, but there are other lengths as well. The ones I have encountered are, about in the order of frequency, 90, 120, 135, 60, 150, 30 seconds ones.

Everytime an intervention of CMs happens, make all the lines after that intervention earlier for the amount of that intervention. And by repeating this process, we can get the synched subs. In the subtitle editing program called Aegisub, there is a good command for this purpose, "Shift Times with Selection Onward", which I have used to this day. Other subtitle editing programs also have similar functions.

As there is a hiatus in the timings of the lines when there is an intervention of CMs, in most cases, just by looking at the script, you can know the length of the intervention.

NHK dramas don't have CMs during the drama, as it is a national public broadcast.

==== Timing Adjustment ====

Here we need to make minor timing adjustments. This part is where our skills are tried. A small timing shift makes a great difference at viewing pleasure.

In my experience of synching over a hundred of these Japanese subs, they need to be synched at least with +-0.25 seconds of accuracy for a better result, though I have made +-0.1 seconds adjustments if necessary.

Generally speaking, this synching has tolerance for the - direction, that is, we can set the timings too early than too late.

What is annoying is subs appearing too late or subs disappearing too early. (Subs appearing too early or subs disappearing too late are not so annoying.)

In order to to be protected against subs appearing too late, my recommendation is to shift times slightly (about 0.25-0.50 seconds) overly to the - direction. That way, even if the timings for some lines are a little late, subs won't appear too late, which is comfortable in many cases. In order to be protected against subs disappearing too early, my recommendation is to do nothing particular, for with these Japanese subs, in most cases, the lines are not timed as to disappear as soon as the pronunciation ends, but remain longer on the display, and that is the reason why we can set the timings a little too earlier without causing any problem.

But again, way too earlier subs are annoying too, and so this is just a principle and guideline, and not a golden rule. Human eyes are the most sure way to check the subs.

==== Discrepancy Check ====

Sometimes there are sponsor credits. In most cases, encoders leave these sponsor credits untouched, and so it doesn't cause any problem. But when encoders decide to cut out these sponsor credits, we need to adjust that amount as well.

And there can be other discrepancies depending on the encoder's job.

==== Publishing ====

I think it is better to synch these Japanese subs at least to 704x396 Xvid version, as they seem popular and easy to handle.

I also think it is better to put ".jp" at the end of the naming like "Real Clothes ep01 (1280x720 XviD).jp.srt", because people who are downloading these Japanese subs might download English subs as well, and we don't want to be invasive.

==== Workflow ====

1, Shift all the lines for 30 seconds.

2, Look for a hiatus of the timings of the lines, such as

*Line 152 0:08:39.64 - 0:08:42.64
*Line 153 0:08:42.64 - 0:08:52.64
*Line 154 0:11:02.68 - 0:11:04.68
*Line 155 0:11:04.68 - 0:11:06.69

and this one has a hiatus of a little over 120 seconds, and so I take this intervention of CMs to be 120 seconds, and so I shift earlier all the lines from the line 154 onward for 120 seconds.

3, Repeat this process as necessary. Generally, we need to shift times for 3 or 4 times per an episode.

4, Make minor timing adjustments to make the viewing more pleasurable.

5, Check if there is no discrepancy.

6, Upload the finished sub to DA.

Done!

== Japanese Subtitles Index ==

[http://www.d-addicts.com/forum/subtitles.php#Japanese Japanese Subtitles Index at DA]

Qop123's Japanese Subtitles Project

2010-08-06T09:17:07Z

Qop123:

== Japanese Subtitles Project==

This page was created to supply information about the status of the Japanese subtitles project coordinated by qop123 at D-Addicts.

== Japanese Subtitles for 2010 Summer Season ==

Now all the dramas are nicely handled.

== How to Handle Japanese Subtitles ==

These Japanese subs are extracted from the original broadcast data with a program called "Caption2Ass_mod1"[http://www.megaupload.com/?d=WU6UMFG9].

But as these Japanese subs don't work with the raw videos at DA as they are, they need to be edited, and also uploaded to the subtitle section of DA[http://www.d-addicts.com/forum/viewforum_13.htm], so that people can download and utilize them.

And here is a general instruction.

==== General Instruction ====

This Japanese subtitles work is divided into 5 parts, Margin Cut, CM Cut, Timing Adjustment, Discrepancy Check, Publishing.

==== Margin Cut ====

These Japanese subs have about 30 seconds of margin at the beginning, which needs to be cut out, that is, all the lines need to be made earlier for about 30 seconds. This margin is controlled to be about 30 seconds with a clock adjustment program as nearly as possible. But this margin wouldn't become exactly 30 seconds, and so we need to make a human adjustment later.

==== CM Cut ====

As these Japanese subs are extracted from the original broadcast data that has interventions of CMs during the drama, if they are played as they are, they wouldn't match with the raw videos uploaded at DA, as the raw videos at DA are edited to be without interventions of CMs. And so, in a nutshell, these Japanese subs also need to be edited to be without the times of the interventions of CMs.

In Japan, CMs are generally made on 15 seconds units, and so one intervention of CMs becomes multiples of 15. 90 seconds and 120 seconds ones are most frequent, but there are other lengths as well. The ones I have encountered are, about in the order of frequency, 90, 120, 135, 60, 150, 30 seconds ones.

Everytime an intervention of CMs happens, make all the lines after that intervention earlier for the amount of that intervention. And by repeating this process, we can get the synched subs. In the subtitle editing program called Aegisub, there is a good command for this purpose, "Shift Times with Selection Onward", which I have used to this day. Other subtitle editing programs also have similar functions.

As there is a hiatus in the timings of the lines when there is an intervention of CMs, in most cases, just by looking at the script, you can know the length of the intervention.

NHK dramas don't have CMs during the drama, as it is a national public broadcast.

==== Timing Adjustment ====

Here we need to make minor timing adjustments. This part is where our skills are tried. A small timing shift makes a great difference at viewing pleasure.

In my experience of synching over a hundred of these Japanese subs, they need to be synched at least with +-0.25 seconds of accuracy for a better result, though I have made +-0.1 seconds adjustments if necessary.

Generally speaking, this synching has tolerance for the - direction, that is, we can set the timings too early than too late.

What is annoying is subs appearing too late or subs disappearing too early. (Subs appearing too early or subs disappearing too late are not so annoying.)

In order to to be protected against subs appearing too late, my recommendation is to shift times slightly (about 0.25-0.50 seconds) overly to the - direction. That way, even if the timings for some lines are a little late, subs won't appear too late, which is comfortable in many cases. In order to be protected against subs disappearing too early, my recommendation is to do nothing particular, for with these Japanese subs, in most cases, the lines are not timed as to disappear as soon as the pronunciation ends, but remain longer on the display, and that is the reason why we can set the timings a little too earlier without causing any problem.

But again, way too earlier subs are annoying too, and so this is just a principle and guideline, and not a golden rule. Human eyes are the most sure way to check the subs.

==== Discrepancy Check ====

Sometimes there are sponsor credits. In most cases, encoders leave these sponsor credits untouched, and so it doesn't cause any problem. But when encoders decide to cut out these sponsor credits, we need to adjust that amount as well.

And there can be other discrepancies depending on the encoder's job.

==== Publishing ====

I think it is better to synch these Japanese subs at least to 704x396 Xvid version, as they seem popular and easy to handle.

I also think it is better to put ".jp" at the end of the naming like "Real Clothes ep01 (1280x720 XviD).jp.srt", because people who are downloading these Japanese subs might download English subs as well, and we don't want to be invasive.

==== Workflow ====

1, Shift all the lines for 30 seconds.

2, Look for a hiatus of the timings of the lines, such as

*Line 152 0:08:39.64 - 0:08:42.64
*Line 153 0:08:42.64 - 0:08:52.64
*Line 154 0:11:02.68 - 0:11:04.68
*Line 155 0:11:04.68 - 0:11:06.69

and this one has a hiatus of a little over 120 seconds, and so I take this intervention of CMs to be 120 seconds, and so I shift earlier all the lines from the line 154 onward for 120 seconds.

3, Repeat this process as necessary. Generally, we need to shift times for 3 or 4 times per an episode.

4, Make minor timing adjustments to make the viewing more pleasurable.

5, Check if there is no discrepancy.

6, Upload the finished sub to DA.

Done!

== Japanese Subtitles Index ==

[http://www.d-addicts.com/forum/subtitles.php#Japanese Japanese Subtitles Index at DA]

Qop123's Japanese Subtitles Project

2010-08-04T09:46:45Z

Qop123:

== Japanese Subtitles Project==

This page was created to supply information about the status of the Japanese subtitles project coordinated by qop123 at D-Addicts.

== Japanese Subtitles for 2010 Summer Season ==

=== The dramas that don't have handlers ===

* Keishicho Keizoku Sosakan

== How to Handle Japanese Subtitles ==

These Japanese subs are extracted from the original broadcast data with a program called "Caption2Ass_mod1"[http://www.megaupload.com/?d=WU6UMFG9].

But as these Japanese subs don't work with the raw videos at DA as they are, they need to be edited, and also uploaded to the subtitle section of DA[http://www.d-addicts.com/forum/viewforum_13.htm], so that people can download and utilize them.

And here is a general instruction.

==== General Instruction ====

This Japanese subtitles work is divided into 5 parts, Margin Cut, CM Cut, Timing Adjustment, Discrepancy Check, Publishing.

==== Margin Cut ====

These Japanese subs have about 30 seconds of margin at the beginning, which needs to be cut out, that is, all the lines need to be made earlier for about 30 seconds. This margin is controlled to be about 30 seconds with a clock adjustment program as nearly as possible. But this margin wouldn't become exactly 30 seconds, and so we need to make a human adjustment later.

==== CM Cut ====

As these Japanese subs are extracted from the original broadcast data that has interventions of CMs during the drama, if they are played as they are, they wouldn't match with the raw videos uploaded at DA, as the raw videos at DA are edited to be without interventions of CMs. And so, in a nutshell, these Japanese subs also need to be edited to be without the times of the interventions of CMs.

In Japan, CMs are generally made on 15 seconds units, and so one intervention of CMs becomes multiples of 15. 90 seconds and 120 seconds ones are most frequent, but there are other lengths as well. The ones I have encountered are, about in the order of frequency, 90, 120, 135, 60, 150, 30 seconds ones.

Everytime an intervention of CMs happens, make all the lines after that intervention earlier for the amount of that intervention. And by repeating this process, we can get the synched subs. In the subtitle editing program called Aegisub, there is a good command for this purpose, "Shift Times with Selection Onward", which I have used to this day. Other subtitle editing programs also have similar functions.

As there is a hiatus in the timings of the lines when there is an intervention of CMs, in most cases, just by looking at the script, you can know the length of the intervention.

NHK dramas don't have CMs during the drama, as it is a national public broadcast.

==== Timing Adjustment ====

Here we need to make minor timing adjustments. This part is where our skills are tried. A small timing shift makes a great difference at viewing pleasure.

In my experience of synching over a hundred of these Japanese subs, they need to be synched at least with +-0.25 seconds of accuracy for a better result, though I have made +-0.1 seconds adjustments if necessary.

Generally speaking, this synching has tolerance for the - direction, that is, we can set the timings too early than too late.

What is annoying is subs appearing too late or subs disappearing too early. (Subs appearing too early or subs disappearing too late are not so annoying.)

In order to to be protected against subs appearing too late, my recommendation is to shift times slightly (about 0.25-0.50 seconds) overly to the - direction. That way, even if the timings for some lines are a little late, subs won't appear too late, which is comfortable in many cases. In order to be protected against subs disappearing too early, my recommendation is to do nothing particular, for with these Japanese subs, in most cases, the lines are not timed as to disappear as soon as the pronunciation ends, but remain longer on the display, and that is the reason why we can set the timings a little too earlier without causing any problem.

But again, way too earlier subs are annoying too, and so this is just a principle and guideline, and not a golden rule. Human eyes are the most sure way to check the subs.

==== Discrepancy Check ====

Sometimes there are sponsor credits. In most cases, encoders leave these sponsor credits untouched, and so it doesn't cause any problem. But when encoders decide to cut out these sponsor credits, we need to adjust that amount as well.

And there can be other discrepancies depending on the encoder's job.

==== Publishing ====

I think it is better to synch these Japanese subs at least to 704x396 Xvid version, as they seem popular and easy to handle.

I also think it is better to put ".jp" at the end of the naming like "Real Clothes ep01 (1280x720 XviD).jp.srt", because people who are downloading these Japanese subs might download English subs as well, and we don't want to be invasive.

==== Workflow ====

1, Shift all the lines for 30 seconds.

2, Look for a hiatus of the timings of the lines, such as

*Line 152 0:08:39.64 - 0:08:42.64
*Line 153 0:08:42.64 - 0:08:52.64
*Line 154 0:11:02.68 - 0:11:04.68
*Line 155 0:11:04.68 - 0:11:06.69

and this one has a hiatus of a little over 120 seconds, and so I take this intervention of CMs to be 120 seconds, and so I shift earlier all the lines from the line 154 onward for 120 seconds.

3, Repeat this process as necessary. Generally, we need to shift times for 3 or 4 times per an episode.

4, Make minor timing adjustments to make the viewing more pleasurable.

5, Check if there is no discrepancy.

6, Upload the finished sub to DA.

Done!

== Japanese Subtitles Index ==

[http://www.d-addicts.com/forum/subtitles.php#Japanese Japanese Subtitles Index at DA]

Qop123's Japanese Subtitles Project

2010-07-12T01:35:38Z

Qop123:

== Japanese Subtitles Project==

This page was created to supply information about the status of the Japanese subtitles project coordinated by qop123 at D-Addicts.

== Japanese Subtitles for 2010 Summer Season ==

=== The dramas that don't have handlers ===

* Joker Yurusarezaru Sosakan
* GM Odore Doctor
* Keishicho Keizoku Sosakan

== How to Handle Japanese Subtitles ==

These Japanese subs are extracted from the original broadcast data with a program called "Caption2Ass_mod1"[http://www.megaupload.com/?d=WU6UMFG9].

But as these Japanese subs don't work with the raw videos at DA as they are, they need to be edited, and also uploaded to the subtitle section of DA[http://www.d-addicts.com/forum/viewforum_13.htm], so that people can download and utilize them.

And here is a general instruction.

==== General Instruction ====

This Japanese subtitles work is divided into 5 parts, Margin Cut, CM Cut, Timing Adjustment, Discrepancy Check, Publishing.

==== Margin Cut ====

These Japanese subs have about 30 seconds of margin at the beginning, which needs to be cut out, that is, all the lines need to be made earlier for about 30 seconds. This margin is controlled to be about 30 seconds with a clock adjustment program as nearly as possible. But this margin wouldn't become exactly 30 seconds, and so we need to make a human adjustment later.

==== CM Cut ====

As these Japanese subs are extracted from the original broadcast data that has interventions of CMs during the drama, if they are played as they are, they wouldn't match with the raw videos uploaded at DA, as the raw videos at DA are edited to be without interventions of CMs. And so, in a nutshell, these Japanese subs also need to be edited to be without the times of the interventions of CMs.

In Japan, CMs are generally made on 15 seconds units, and so one intervention of CMs becomes multiples of 15. 90 seconds and 120 seconds ones are most frequent, but there are other lengths as well. The ones I have encountered are, about in the order of frequency, 90, 120, 135, 60, 150, 30 seconds ones.

Everytime an intervention of CMs happens, make all the lines after that intervention earlier for the amount of that intervention. And by repeating this process, we can get the synched subs. In the subtitle editing program called Aegisub, there is a good command for this purpose, "Shift Times with Selection Onward", which I have used to this day. Other subtitle editing programs also have similar functions.

As there is a hiatus in the timings of the lines when there is an intervention of CMs, in most cases, just by looking at the script, you can know the length of the intervention.

NHK dramas don't have CMs during the drama, as it is a national public broadcast.

==== Timing Adjustment ====

Here we need to make minor timing adjustments. This part is where our skills are tried. A small timing shift makes a great difference at viewing pleasure.

In my experience of synching over a hundred of these Japanese subs, they need to be synched at least with +-0.25 seconds of accuracy for a better result, though I have made +-0.1 seconds adjustments if necessary.

Generally speaking, this synching has tolerance for the - direction, that is, we can set the timings too early than too late.

What is annoying is subs appearing too late or subs disappearing too early. (Subs appearing too early or subs disappearing too late are not so annoying.)

In order to to be protected against subs appearing too late, my recommendation is to shift times slightly (about 0.25-0.50 seconds) overly to the - direction. That way, even if the timings for some lines are a little late, subs won't appear too late, which is comfortable in many cases. In order to be protected against subs disappearing too early, my recommendation is to do nothing particular, for with these Japanese subs, in most cases, the lines are not timed as to disappear as soon as the pronunciation ends, but remain longer on the display, and that is the reason why we can set the timings a little too earlier without causing any problem.

But again, way too earlier subs are annoying too, and so this is just a principle and guideline, and not a golden rule. Human eyes are the most sure way to check the subs.

==== Discrepancy Check ====

Sometimes there are sponsor credits. In most cases, encoders leave these sponsor credits untouched, and so it doesn't cause any problem. But when encoders decide to cut out these sponsor credits, we need to adjust that amount as well.

And there can be other discrepancies depending on the encoder's job.

==== Publishing ====

I think it is better to synch these Japanese subs at least to 704x396 Xvid version, as they seem popular and easy to handle.

I also think it is better to put ".jp" at the end of the naming like "Real Clothes ep01 (1280x720 XviD).jp.srt", because people who are downloading these Japanese subs might download English subs as well, and we don't want to be invasive.

==== Workflow ====

1, Shift all the lines for 30 seconds.

2, Look for a hiatus of the timings of the lines, such as

*Line 152 0:08:39.64 - 0:08:42.64
*Line 153 0:08:42.64 - 0:08:52.64
*Line 154 0:11:02.68 - 0:11:04.68
*Line 155 0:11:04.68 - 0:11:06.69

and this one has a hiatus of a little over 120 seconds, and so I take this intervention of CMs to be 120 seconds, and so I shift earlier all the lines from the line 154 onward for 120 seconds.

3, Repeat this process as necessary. Generally, we need to shift times for 3 or 4 times per an episode.

4, Make minor timing adjustments to make the viewing more pleasurable.

5, Check if there is no discrepancy.

6, Upload the finished sub to DA.

Done!

== Japanese Subtitles Index ==

[http://www.d-addicts.com/forum/subtitles.php#Japanese Japanese Subtitles Index at DA]

Qop123's Japanese Subtitles Project

2010-07-11T18:30:09Z

Qop123:

== Japanese Subtitles Project==

This page was created to supply information about the status of the Japanese subtitles project coordinated by qop123 at D-Addicts.

== Japanese Subtitles for 2010 Summer Season ==

=== The dramas that don't have handlers ===

* Unubore Deka
* Natsu no Koi wa Nijiiro ni Kagayaku
* Joker Yurusarezaru Sosakan
* GM Odore Doctor
* Keishicho Keizoku Sosakan

== How to Handle Japanese Subtitles ==

These Japanese subs are extracted from the original broadcast data with a program called "Caption2Ass_mod1"[http://www.megaupload.com/?d=WU6UMFG9].

But as these Japanese subs don't work with the raw videos at DA as they are, they need to be edited, and also uploaded to the subtitle section of DA[http://www.d-addicts.com/forum/viewforum_13.htm], so that people can download and utilize them.

And here is a general instruction.

==== General Instruction ====

This Japanese subtitles work is divided into 5 parts, Margin Cut, CM Cut, Timing Adjustment, Discrepancy Check, Publishing.

==== Margin Cut ====

These Japanese subs have about 30 seconds of margin at the beginning, which needs to be cut out, that is, all the lines need to be made earlier for about 30 seconds. This margin is controlled to be about 30 seconds with a clock adjustment program as nearly as possible. But this margin wouldn't become exactly 30 seconds, and so we need to make a human adjustment later.

==== CM Cut ====

As these Japanese subs are extracted from the original broadcast data that has interventions of CMs during the drama, if they are played as they are, they wouldn't match with the raw videos uploaded at DA, as the raw videos at DA are edited to be without interventions of CMs. And so, in a nutshell, these Japanese subs also need to be edited to be without the times of the interventions of CMs.

In Japan, CMs are generally made on 15 seconds units, and so one intervention of CMs becomes multiples of 15. 90 seconds and 120 seconds ones are most frequent, but there are other lengths as well. The ones I have encountered are, about in the order of frequency, 90, 120, 135, 60, 150, 30 seconds ones.

Everytime an intervention of CMs happens, make all the lines after that intervention earlier for the amount of that intervention. And by repeating this process, we can get the synched subs. In the subtitle editing program called Aegisub, there is a good command for this purpose, "Shift Times with Selection Onward", which I have used to this day. Other subtitle editing programs also have similar functions.

As there is a hiatus in the timings of the lines when there is an intervention of CMs, in most cases, just by looking at the script, you can know the length of the intervention.

NHK dramas don't have CMs during the drama, as it is a national public broadcast.

==== Timing Adjustment ====

Here we need to make minor timing adjustments. This part is where our skills are tried. A small timing shift makes a great difference at viewing pleasure.

In my experience of synching over a hundred of these Japanese subs, they need to be synched at least with +-0.25 seconds of accuracy for a better result, though I have made +-0.1 seconds adjustments if necessary.

Generally speaking, this synching has tolerance for the - direction, that is, we can set the timings too early than too late.

What is annoying is subs appearing too late or subs disappearing too early. (Subs appearing too early or subs disappearing too late are not so annoying.)

In order to to be protected against subs appearing too late, my recommendation is to shift times slightly (about 0.25-0.50 seconds) overly to the - direction. That way, even if the timings for some lines are a little late, subs won't appear too late, which is comfortable in many cases. In order to be protected against subs disappearing too early, my recommendation is to do nothing particular, for with these Japanese subs, in most cases, the lines are not timed as to disappear as soon as the pronunciation ends, but remain longer on the display, and that is the reason why we can set the timings a little too earlier without causing any problem.

But again, way too earlier subs are annoying too, and so this is just a principle and guideline, and not a golden rule. Human eyes are the most sure way to check the subs.

==== Discrepancy Check ====

Sometimes there are sponsor credits. In most cases, encoders leave these sponsor credits untouched, and so it doesn't cause any problem. But when encoders decide to cut out these sponsor credits, we need to adjust that amount as well.

And there can be other discrepancies depending on the encoder's job.

==== Publishing ====

I think it is better to synch these Japanese subs at least to 704x396 Xvid version, as they seem popular and easy to handle.

I also think it is better to put ".jp" at the end of the naming like "Real Clothes ep01 (1280x720 XviD).jp.srt", because people who are downloading these Japanese subs might download English subs as well, and we don't want to be invasive.

==== Workflow ====

1, Shift all the lines for 30 seconds.

2, Look for a hiatus of the timings of the lines, such as

*Line 152 0:08:39.64 - 0:08:42.64
*Line 153 0:08:42.64 - 0:08:52.64
*Line 154 0:11:02.68 - 0:11:04.68
*Line 155 0:11:04.68 - 0:11:06.69

and this one has a hiatus of a little over 120 seconds, and so I take this intervention of CMs to be 120 seconds, and so I shift earlier all the lines from the line 154 onward for 120 seconds.

3, Repeat this process as necessary. Generally, we need to shift times for 3 or 4 times per an episode.

4, Make minor timing adjustments to make the viewing more pleasurable.

5, Check if there is no discrepancy.

6, Upload the finished sub to DA.

Done!

== Japanese Subtitles Index ==

[http://www.d-addicts.com/forum/subtitles.php#Japanese Japanese Subtitles Index at DA]

Qop123's Japanese Subtitles Project

2010-04-22T11:13:41Z

Qop123:

== Japanese Subtitles Project==

This page was created to supply information about the status of the Japanese subtitles project coordinated by qop123 at D-Addicts.

== Japanese Subtitles for 2010 Spring Season ==

=== The dramas that have handlers ===

* Zettai Reido by Rollins

* Tumbling by GiriGiri Fansubs

* Kaibutsu-kun by GiriGiri Fansubs

* Team Batista 2 by furransu

* Shinzanmono by furransu

* Chase by furransu

* Pro Golfer Hana by moon_kaka

* Mattsugu by moon_kaka

* Sunao Ni Narenakute by vitcon86dt

* Keibuho Yabe Kenzo by HaroRangers

* Mother by perquisiteless

* Dousoukai by perquisiteless

* Yankee-kun to Megane-chan by perquisiteless

=== The dramas that don't have handlers ===

* Tsuki no Koibito
* Rinjo 2
* Omiyasan 7

== How to Handle Japanese Subtitles ==

These Japanese subs are extracted from the original broadcast data with a program called "Caption2Ass_mod1"[http://www.megaupload.com/?d=WU6UMFG9].

But as these Japanese subs don't work with the raw videos at DA as they are, they need to be edited, and also uploaded to the subtitle section of DA[http://www.d-addicts.com/forum/viewforum_13.htm], so that people can download and utilize them.

And here is a general instruction.

==== General Instruction ====

This Japanese subtitles work is divided into 5 parts, Margin Cut, CM Cut, Timing Adjustment, Discrepancy Check, Publishing.

==== Margin Cut ====

These Japanese subs have about 30 seconds of margin at the beginning, which needs to be cut out, that is, all the lines need to be made earlier for about 30 seconds. This margin is controlled to be about 30 seconds with a clock adjustment program as nearly as possible. But this margin wouldn't become exactly 30 seconds, and so we need to make a human adjustment later.

==== CM Cut ====

As these Japanese subs are extracted from the original broadcast data that has interventions of CMs during the drama, if they are played as they are, they wouldn't match with the raw videos uploaded at DA, as the raw videos at DA are edited to be without interventions of CMs. And so, in a nutshell, these Japanese subs also need to be edited to be without the times of the interventions of CMs.

In Japan, CMs are generally made on 15 seconds units, and so one intervention of CMs becomes multiples of 15. 90 seconds and 120 seconds ones are most frequent, but there are other lengths as well. The ones I have encountered are, about in the order of frequency, 90, 120, 135, 60, 150, 30 seconds ones.

Everytime an intervention of CMs happens, make all the lines after that intervention earlier for the amount of that intervention. And by repeating this process, we can get the synched subs. In the subtitle editing program called Aegisub, there is a good command for this purpose, "Shift Times with Selection Onward", which I have used to this day. Other subtitle editing programs also have similar functions.

As there is a hiatus in the timings of the lines when there is an intervention of CMs, in most cases, just by looking at the script, you can know the length of the intervention.

NHK dramas don't have CMs during the drama, as it is a national public broadcast.

==== Timing Adjustment ====

Here we need to make minor timing adjustments. This part is where our skills are tried. A small timing shift makes a great difference at viewing pleasure.

In my experience of synching over a hundred of these Japanese subs, they need to be synched at least with +-0.25 seconds of accuracy for a better result, though I have made +-0.1 seconds adjustments if necessary.

Generally speaking, this synching has tolerance for the - direction, that is, we can set the timings too early than too late.

What is annoying is subs appearing too late or subs disappearing too early. (Subs appearing too early or subs disappearing too late are not so annoying.)

In order to to be protected against subs appearing too late, my recommendation is to shift times slightly (about 0.25-0.50 seconds) overly to the - direction. That way, even if the timings for some lines are a little late, subs won't appear too late, which is comfortable in many cases. In order to be protected against subs disappearing too early, my recommendation is to do nothing particular, for with these Japanese subs, in most cases, the lines are not timed as to disappear as soon as the pronunciation ends, but remain longer on the display, and that is the reason why we can set the timings a little too earlier without causing any problem.

But again, way too earlier subs are annoying too, and so this is just a principle and guideline, and not a golden rule. Human eyes are the most sure way to check the subs.

==== Discrepancy Check ====

Sometimes there are sponsor credits. In most cases, encoders leave these sponsor credits untouched, and so it doesn't cause any problem. But when encoders decide to cut out these sponsor credits, we need to adjust that amount as well.

And there can be other discrepancies depending on the encoder's job.

==== Publishing ====

I think it is better to synch these Japanese subs at least to 704x396 Xvid version, as they seem popular and easy to handle.

I also think it is better to put ".jp" at the end of the naming like "Real Clothes ep01 (1280x720 XviD).jp.srt", because people who are downloading these Japanese subs might download English subs as well, and we don't want to be invasive.

==== Workflow ====

1, Shift all the lines for 30 seconds.

2, Look for a hiatus of the timings of the lines, such as

*Line 152 0:08:39.64 - 0:08:42.64
*Line 153 0:08:42.64 - 0:08:52.64
*Line 154 0:11:02.68 - 0:11:04.68
*Line 155 0:11:04.68 - 0:11:06.69

and this one has a hiatus of a little over 120 seconds, and so I take this intervention of CMs to be 120 seconds, and so I shift earlier all the lines from the line 154 onward for 120 seconds.

3, Repeat this process as necessary. Generally, we need to shift times for 3 or 4 times per an episode.

4, Make minor timing adjustments to make the viewing more pleasurable.

5, Check if there is no discrepancy.

6, Upload the finished sub to DA.

Done!

== Japanese Subtitles Completed ==

* Angel Bank: [http://www.d-addicts.com/forum/viewtopic_81574.htm Angel Bank Japanese subs thread]

* Bloody Monday Season 2: [http://www.d-addicts.com/forum/viewtopic.php?p=1257100 Bloody Monday Season 2 Japanese subs thread]

* Code Blue season 2: [http://www.d-addicts.com/forum/viewtopic_81594.htm Code Blue season 2 Japanese subs thread]

* Hidarime Tantei EYE: [http://www.d-addicts.com/forum/viewtopic_82613.htm Hidarime Tantei EYE Japanese subs thread]

* Magerarenai Onna: [http://www.d-addicts.com/forum/viewtopic_81566.htm Magerarenai Onna Japanese subs thread]

* Massugu na Otoko: [http://www.d-addicts.com/forum/viewtopic_81557.htm Massugu na Otoko Japanese subs thread]

* Naka nai to Kimeta hi: [http://www.d-addicts.com/forum/viewtopic_82196.htm Naka nai to Kimeta hi Japanese subs thread]

* Ryoma Den: [http://www.d-addicts.com/forum/viewtopic_82443.htm Ryoma Den Japanese subs thread]

* Shukumei 1969-2010: [http://www.d-addicts.com/forum/viewtopic_83100.htm Shukumei 1969-2010 Japanese subs thread]

* Tokujo Kabachi!!: [http://www.d-addicts.com/forum/viewtopic_81900.htm Tokujo Kabachi!! Japanese subs thread]

* Tomehane: [http://www.d-addicts.com/forum/viewtopic_82343.htm Tomehane Japanese subs thread]

* Yamato Nadeshiko Shichi Henge: [http://www.d-addicts.com/forum/viewtopic_81645.htm Yamato Nadeshiko Shichi Henge Japanese subs thread]

Qop123's Japanese Subtitles Project

2010-04-20T18:21:21Z

Qop123:

== Japanese Subtitles Project==

This page was created to supply information about the status of the Japanese subtitles project coordinated by qop123 at D-Addicts.

== Japanese Subtitles for 2010 Spring Season ==

=== The dramas that have handlers ===

* Zettai Reido by Rollins

* Tumbling by GiriGiri Fansubs

* Kaibutsu-kun by GiriGiri Fansubs

* Team Batista 2 by furransu

* Shinzanmono by furransu

* Chase by furransu

* Pro Golfer Hana by moon_kaka

* Mattsugu by moon_kaka

* Sunao Ni Narenakute by vitcon86dt

* Keibuho Yabe Kenzo by HaroRangers

=== The dramas that don't have handlers ===

* Tsuki no Koibito
* Rinjo 2
* Mother
* Omiyasan 7
* Dousoukai
* Yankee-kun to Megane-chan

== How to Handle Japanese Subtitles ==

These Japanese subs are extracted from the original broadcast data with a program called "Caption2Ass_mod1"[http://www.megaupload.com/?d=WU6UMFG9].

But as these Japanese subs don't work with the raw videos at DA as they are, they need to be edited, and also uploaded to the subtitle section of D-Addicts[http://www.d-addicts.com/forum/viewforum_13.htm], so that people can download and utilize them.

And here is a general instruction.

==== General Instruction ====

This Japanese subtitles work is divided into 5 parts, Margin Cut, CM Cut, Timing Adjustment, Discrepancy Check, Publishing.

==== Margin Cut ====

These Japanese subs have about 30 seconds of margin at the beginning, which needs to be cut out, that is, all the lines need to be made earlier for about 30 seconds. This margin is controlled to be about 30 seconds with a clock adjustment program as nearly as possible. But this margin wouldn't become exactly 30 seconds, and so we need to make a human adjustment later.

==== CM Cut ====

As these Japanese subs are extracted from the original broadcast data that has interventions of CMs during the drama, if they are played as they are, they wouldn't match with the raw videos uploaded at DA, as the raw videos at DA are edited to be without interventions of CMs. And so, in a nutshell, these Japanese subs also need to be edited to be without the times of the interventions of CMs.

In Japan, CMs are generally made on 15 seconds units, and so one intervention of CMs becomes multiples of 15. 90 seconds and 120 seconds ones are most frequent, but there are other lengths as well. The ones I have encountered are, about in the order of frequency, 90, 120, 135, 60, 150, 30 seconds ones.

Everytime an intervention of CMs happens, make all the lines after that intervention earlier for the amount of that intervention. And by repeating this process, we can get the synched subs. In the subtitle editing program called Aegisub, there is a good command for this purpose, "Shift Times with Selection Onward", which I have used to this day. Other subtitle editing programs also have similar functions.

As there is a hiatus in the timings of the lines when there is an intervention of CMs, in most cases, just by looking at the script, you can know the length of the intervention.

NHK dramas don't have CMs during the drama, as it is a national public broadcast.

==== Timing Adjustment ====

Here we need to make minor timing adjustments. This part is where our skills are tried. A small timing shift makes a great difference at viewing pleasure.

In my experience of synching over a hundred of these Japanese subs, they need to be synched at least with +-0.25 seconds of accuracy for a better result, though I have made +-0.1 seconds adjustments if necessary.

Generally speaking, this synching has tolerance for the - direction, that is, we can set the timings too early than too late.

What is annoying is subs appearing too late or subs disappearing too early. (Subs appearing too early or subs disappearing too late are not so annoying.)

In order to to be protected against subs appearing too late, my recommendation is to shift times slightly (about 0.25-0.50 seconds) overly to the - direction. That way, even if the timings for some lines are a little late, subs won't appear too late, which is comfortable in many cases. In order to be protected against subs disappearing too early, my recommendation is to do nothing particular, for with these Japanese subs, in most cases, the lines are not timed as to disappear as soon as the pronunciation ends, but remain longer on the display, and that is the reason why we can set the timings a little too earlier without causing any problem.

But again, way too earlier subs are annoying too, and so this is just a principle and guideline, and not a golden rule. Human eyes are the most sure way to check the subs.

==== Discrepancy Check ====

Sometimes there are sponsor credits. In most cases, encoders leave these sponsor credits untouched, and so it doesn't cause any problem. But when encoders decide to cut out these sponsor credits, we need to adjust that amount as well.

And there can be other discrepancies depending on the encoder's job.

==== Publishing ====

I think it is better to synch these Japanese subs at least to 704x396 Xvid version, as they seem popular and easy to handle.

I also think it is better to put ".jp" at the end of the naming like "Real Clothes ep01 (1280x720 XviD).jp.srt", because people who are downloading these Japanese subs might download English subs as well, and we don't want to be invasive.

==== Workflow ====

1, Shift all the lines for 30 seconds.

2, Look for a hiatus of the timings of the lines, such as

*Line 152 0:08:39.64 - 0:08:42.64
*Line 153 0:08:42.64 - 0:08:52.64
*Line 154 0:11:02.68 - 0:11:04.68
*Line 155 0:11:04.68 - 0:11:06.69

and this one has a hiatus of a little over 120 seconds, and so I take this intervention of CMs to be 120 seconds, and so I shift earlier all the lines from the line 154 onward for 120 seconds.

3, Repeat this process as necessary. Generally, we need to shift times for 3 or 4 times per an episode.

4, Make minor timing adjustments to make the viewing more pleasurable.

5, Check if there is no discrepancy.

6, Upload the finished sub to DA.

Done!

== Japanese Subtitles Completed ==

* Angel Bank: [http://www.d-addicts.com/forum/viewtopic_81574.htm Angel Bank Japanese subs thread]

* Bloody Monday Season 2: [http://www.d-addicts.com/forum/viewtopic.php?p=1257100 Bloody Monday Season 2 Japanese subs thread]

* Code Blue season 2: [http://www.d-addicts.com/forum/viewtopic_81594.htm Code Blue season 2 Japanese subs thread]

* Hidarime Tantei EYE: [http://www.d-addicts.com/forum/viewtopic_82613.htm Hidarime Tantei EYE Japanese subs thread]

* Magerarenai Onna: [http://www.d-addicts.com/forum/viewtopic_81566.htm Magerarenai Onna Japanese subs thread]

* Massugu na Otoko: [http://www.d-addicts.com/forum/viewtopic_81557.htm Massugu na Otoko Japanese subs thread]

* Naka nai to Kimeta hi: [http://www.d-addicts.com/forum/viewtopic_82196.htm Naka nai to Kimeta hi Japanese subs thread]

* Ryoma Den: [http://www.d-addicts.com/forum/viewtopic_82443.htm Ryoma Den Japanese subs thread]

* Shukumei 1969-2010: [http://www.d-addicts.com/forum/viewtopic_83100.htm Shukumei 1969-2010 Japanese subs thread]

* Tokujo Kabachi!!: [http://www.d-addicts.com/forum/viewtopic_81900.htm Tokujo Kabachi!! Japanese subs thread]

* Tomehane: [http://www.d-addicts.com/forum/viewtopic_82343.htm Tomehane Japanese subs thread]

* Yamato Nadeshiko Shichi Henge: [http://www.d-addicts.com/forum/viewtopic_81645.htm Yamato Nadeshiko Shichi Henge Japanese subs thread]

Qop123 project

2010-04-20T18:06:08Z

Qop123: moved Qop123 project to Qop123's Japanese Subtitles Project

#REDIRECT [[Qop123's Japanese Subtitles Project]]